Hi! These are socks for my roommate’s boyfriend, Zach. According to Ruchi (roommate), Zach has sweaty feet, so either the wool content will absorb the sweat or make him sweat more, and then absorb it.

My initial problem with socks wasn’t so much heel flap or turning it, it was picking up the stitches after the fact without getting holes. When I saw the holes I’d rip the whole heel flap back because starting over is how I problem solve. So I have a lot of experience turning a heel which is the only not-boring part of a sock. Anyway, Zach’s mom is a knitter and I took this opportunity to try out a few techniques:

1. The Classic Weil Gauge Modification
   I knew I wanted to knit socks on 2s, whereas the pattern has the socks knit on 6s (WHO KNITS SOCKS ON 6s???) Hilariously, our gauges only difffered by HALF A STITCH PER INCH which would have me casting on 48 stitches ON TWOS instead of the recomended 44 ON SIXES. I cast on 52 for good luck. The mathematics of pattern adjustments aren’t difficult for me because it’s just a bunch of proportions which you can set up and solve verbosely.

2. Tubular Cast On
   This isn’t particularly new to me. I’ve practiced it a ton of times but I always thought it took too long to do for too little payback. Now that I’m a faster knitter and have sworn off the long-tail, it’s worth it.

3. Magic Loop or something like it
   I always thought this meant something else and I wish I had my facts straight before I went and did surgery on my too-long size 10 circular needles to make them small enough to accomodate my Foliage. And here I thought I was being so clever! I could have magic looped the shit out of it. Anyway I don’t think what I’m doing is exactly magic loop, just kind of beating the yarn into submission around any circumference I desire. So I’m just going to call it CHLOE’S MAGIC LOOP OF TERROR

4. THICK HEELZ and COMFY TOEZ
   I doubled the yarn for the heels and the toes. I just thought it would be more thick and comfy!

5. The stitch-markers-as-abacus method of keeping track of rows
   If I had to do something five more times I’d just put five more stitch markers at the end of the round and remove one every time I did it. It worked with 100% more efficiency than writing that information down, because when I have to write anything down I don’t, making me 0% efficient at writing things down.

I’m wearing my poms underneath these socks for added bulk to my feet so that I can try these on and photograph them. These socks are knit for a man and I have little dainty girly feet.

Some people are pigeon-toed. Some people think it’s cute to be pigeon-toed. And some people’s feet turn toward 3 o’clock when they walk down stairs when feet generally point to 12 o’clock.

Hello! This is the Banana Republic Hat for my friend Chantal’s birthday. Chantal looks gorgeous in green. As I was knitting it I felt like I had fiberglass filaments in my eyes and nose. I’m not allergic to anything so I don’t know what’s up with that. I would hate for this to make my friend uncomfortable but nobody mentioned anything on Ravelry and people were even making stuffed bears out of this - stuffed bears FOR CHILDREN - so I’m hoping it’s just me.

I met Chantal on the first day of our summer-long Organic Chemistry intesive. She was my best friend from the first day to the last. Two weeks after I met her, Berroco announced their fall preview and there was a sweater named Chantal. That’s my first Chantal knitting story, and this blog post is my second.

I used the three patterns available and just combined them, kind of like making a baby with three parents. I’m not so happy with the unevenness of my stitches (I was using my mutilated 10s) but nowadays manufacturers make machine-knits look like they have character so it’s not an issue.

This is the “From Now On” part of the post.
1. I had to thread the “base” of the hat with some leftover yarn to give it some structure because after blocking it just lost all its shape. I blocked this hat to even up the decrease pattern on top because it always bunches up when I do it and I think from now on I’m going to alternate a row of stockinette in with each decrease row.

1. I think I’m going to abandon the long-tail cast on forever and just go for tubular if there’s ribbing involved, or provisional in all other cases. With long-tail either I overestimate by like a kilometer or I underestimate by too many stitches to just increase on the first row. It’s stretchy but a bind off just looks so much crisper and I have more control over it. The long-tail cast on is the worst part of knitting next to 1x1 twisted rib but without the “it was worth the effort” sensation. So from now on it’s so long to the long-tail!

Pretty decreases that happened all too suddenly.

The yarn it shimmers.

Anyway so I spent some time with my friend Joe “AS SEEN ON LAST COMIC STANDING” DeVito the other night and realized that I am incredibly self-conscious (self-deprecatingly proud) about the knitting thing. Like I say “knitting” and then I feel like I have to mention how I do the AARP crossword every day or how I carry Tums with me everywhere because of my bad heartburn. Recently someone asked me what I was doing at the moment and I actually said “knitting my roommate’s boyfriend a sock and missing Jeopardy.” For all we know, from that statement my roommate is my roommate in a nursing home and the boyfriend is a man she met after her first husband of fifty years died. But I mean all that stuff (the crosswords, the knitting, but not so much the acid reflux)…that STILL makes me cooler than like Hannah Montana and texting to vote in American Idol and watching movies on my telephone right?

No it’s not because I had to think REALLY REALLY HARD to come up with just THREE examples of what people are into today. It’s like with every stitch I just go back in time a little bit. Wait, and I’m BLOGGING about this, what the HELL am I talking about???

So, in the most traumatic knitting experience of my life, in May I dilligently knit the two center panels of Eunny Jang’s Print O’ The Wave Stole in Malabrigo lace. Malabrigo, by the way, is NOT VERY ELASTIC (foreshadowing!). It didn’t have a single mistake. In July, I grafted hundreds of stitches to unite the two panels, and upon mock-blocking it upon my bed (stretching it out to see how it looked, you know, to appreciate all my hard work), my inelastic, too-tight sewing job snapped and the thing ripped down the center. I put it in a bag and threw it into the back of a closet. It wasn’t until the end of August that I picked out the ripped yarn and unraveled a few rows of each panel and then threw it BACK INTO THE BAG and into the back of an even deeper closet until like, last week.

I didn’t like the idea that my only set of size 2 needles were like, BABYSITTING this unfinished object and I didn’t like the idea that I bought Malabrigo just to be ashamed of it and keep it in a bag. Even though my feelings were still hurt I tried picking up where I left off, but because the pattern was no longer in my immediate consciousness, because I didn’t know how far I ripped back on each panel, because stitches got dropped or bars-that-could-be-yarnovers got picked up instead, but most importantly, BECAUSE I HAVE A BALLWINDER, I decided to unravel the whole thing. Unfortuantely, because Malabrigo is so sticky and it had been inert for about six months, I kind of killed the yarn. In the end I had two not-continuous balls of Malabrigo lace to contemplate THE FUTURE with.

Above is Branching Out, which utilizes the Malabrigo yarn doubled with leftover Knitpicks Shadow from my first Kiri. It seemed that pairing these two yarns is an obvious, if not inadventurous choice as they’re both dark blue merino laceweight yarns. But then I got all analytical.

The two yarns are actually quite disparate. The Shadow (right) is not exactly blue, it has a chromatic range from blue to blue-green to a very pronounced violet. The Malabrigo (left), which is solidly blue, has qualities relating to value, as in light and dark, but all the shades are still the same tone of blue. These are all technical things that I relate to painting or drawing, so for those who never took studio art in high school, I made some swatches:

In color, it is easier to see that the Shadow (right) has more of a chromatic variety than the Malabrigo (left). If we were convert these colors to grayscale so we can observe value only, it is easier to see that Malabrigo has a richer tonal scale than the Shadow:

When working these two yarns into the same garment, the result is more successful than I would have imagined, as each yarn makes up for what the other lacks. The Malabrigo provides richness and depth, and the Shadow gives visual interest and variety. On a tactile level, the resulting fabric is spongy and soft. (In fact, my brother is walking around with it around his neck right now flapping the ends in my face and, in a Mick Jagger accent, saying It’s so fluffy it’s so fluffy. Okay he’s gone.) I chose to knit Branching Out because I was horrified to learn that I have been slip-slip-knitting improperly and I wanted a simple project to remind me how to do it right again because it’s so fundamental. Branching Out was actually one of the first things I ever knit because I wanted to work on my decreases. I had been slip-slip-knitting improperly then too. It’s amazing how many ways there are to be wrong!

Yeah clearly someone needs to enroll in Photography for Non Majors.